Westminster Organ Concert Series

Westminster Presbyterian Church
190 Rugby Road
Charlottesville, Virginia


Friday, April 24, 2009 at 8:00 P. M.


Frances Conover Fitch, Organist



Program

All Dance, All Organ




[Estampie]
    from Robertsbridge Codex (ca. 1330)

Anon.

Colinetto quartum notarum
    from Buxheimer Orgelbuch


Anon.

Psalm 23
    Tune from De Psalmen Davids... [Leyden] 1574

Jan Pieterszoon Sweelinck
(1591–1652)


Balletto del granduca

J. P. Sweelinck
Englische Mascarata oder Judentanz

Heinrich Scheidemann
(ca. 1595–1663)

Españoleta

Anon. (late 17th cent.)
Ciacona in e minor
Praeambulum manualiter


Dietrich Buxtehude
(1637–1707)



Intermission


Gloria from Messe pour les Couvents (ca. 1689)
    Plein Jeu: Et in terra pax
    Petitte fugue sur le Chromhorne: Benedicimus te
    Duo dur les Tierces: Glorificamus te
    Basse de Trompette: Domine Deus, Rex coelestis
    Chromhorne sur la Taille: Domine Deus, Agnus Dei
    Dialogue sur la Voix humaine: Qui tollis...suscipe
    Les Dessus sur la Tierce et la Basse sur la Trompette:
        Quoniam tu solus sanctus
    Recit de Tierce: Tu solus altissimus
    Dialogue sur les grands jeux: In Gloria Dei Patris. Amen


François Couperin
(1668–1733)


Sonata in F Major
    Allegro
    Largo
    Allegretto


Karl Philipp Emanuel Bach
(1714–1788)

Three pieces from Lambert’s Clavichord
    Hughes’ Ballet
    De la Mare’s Pavane
    Sir Hugh’s Galliard

Herbert Howells
(1892–1983)
Veuve Cliquot
    from Sonata #2
James Woodman
(b. 1957)



The Artist



Frances Conover Fitch

Frances Conover Fitch directs the music program at the Unitarian Universalist Church of Lynn/Greater Lynn in Swampscott, Massaachusetts. As harpsichordist and organist, she has toured extensively in North America and Europe, and has recorded for the national radio services of Switzerland, Germany, the Netherlands and France, as well as for the BBC and NPR. Her ensemble, Concerto Castello, won critical acclaim as well as an Honorable Mention in the Deutsche Schallplatten Preis of 1983. Sought out as a particularly sensitive and inventive continuo player, she has worked with such ensembles as Spiritus Collective, Cantata Singers, Emmanuel Music, Aston Magna, Boston Cecelia Society, The Handel and Haydn Society, Concerto Palatino, the Boston Camerata and the Harvard–Radcliffe Collegium Musicum.

Ms. Fitch has presented solo recitals at the Smithsonian Institution, the American Church in Paris and the Museum of Fine Arts in Boston, and has participated in major music festivals, including the Festival d’Art Lyrique/Aix-en-Provence, Pepsico SummerFare, Tanglewood Music Center, Boston Early Music Festival, Tage Alter Musik Regensburg, Castle Hill Festival and the Festival de Musica Antigua in Mexico City, where she also gave master classes at the National Conservatory. She has recorded on the EMI-Reflexe, Titanic, Harmonia Mundi, Koch International and Wild Boar labels, including her solo CD, O Ye Tender Babes: English Virginal Music (Wild Boar) and a recent two–CD release entitled Protégée of the Sun King (Centaur), that features the music of Elisabeth-Claude Jacquet de la Guerre.

Formerly on the faculties of Schola Cantorum Basiliensis and Wellesley College, she now teaches at Tufts University, Medford, Mass., and Longy School of Music, Cambridge, where she is Chair of the Early Music Department and instructor in harpsichord, organ, chamber music, figured bass improvisation and bibliographic research. Ms. Fitch has degrees from Bard College and New England Conservatory, and did post-graduate work at the Sweelinck Conservatorium in Amserdam, where she studied with Gustav Leonhardt and Veronika Hampe. Her playing has been praised as “delightful”, “perceptive”, “alluring”, “spirited”, “stylish” and “spectacular”, and noted for its “precision and delicacy of wit”.


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The concert is free and open to the public. Ample parking is available behind the church, and the sanctuary is wheelchair–accessible. A reception for the artists will follow the concert. For more information, please call (434)963-4690 or visit www.avenue.org/organconcerts. To receive e–mail notices from this Series, click here:

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