Westminster Organ Concert Series
Westminster Presbyterian Church
190 Rugby Road
Charlottesville, Virginia
Friday, April 24, 2009 at 8:00 P. M.
| [Estampie] from Robertsbridge Codex (ca. 1330) |
Anon. |
| Colinetto quartum notarum from Buxheimer Orgelbuch |
Anon. |
| Psalm 23 Tune from De Psalmen Davids... [Leyden] 1574 |
Jan Pieterszoon Sweelinck (1591–1652) |
| Balletto del granduca |
J. P. Sweelinck |
| Englische Mascarata oder Judentanz
|
Heinrich Scheidemann (ca. 1595–1663) |
| Españoleta
|
Anon. (late 17th cent.) |
| Ciacona in e minor Praeambulum manualiter |
Dietrich Buxtehude (1637–1707) |
Intermission
| Gloria from Messe pour les
Couvents (ca. 1689) Plein Jeu: Et in terra pax Petitte fugue sur le Chromhorne: Benedicimus te Duo dur les Tierces: Glorificamus te Basse de Trompette: Domine Deus, Rex coelestis Chromhorne sur la Taille: Domine Deus, Agnus Dei Dialogue sur la Voix humaine: Qui tollis...suscipe Les Dessus sur la Tierce et la Basse sur la Trompette: Quoniam tu solus sanctus Recit de Tierce: Tu solus altissimus Dialogue sur les grands jeux: In Gloria Dei Patris. Amen |
François Couperin (1668–1733) |
| Sonata in F Major Allegro Largo Allegretto |
Karl Philipp Emanuel Bach (1714–1788) |
| Three pieces from Lambert’s
Clavichord Hughes’ Ballet De la Mare’s Pavane Sir Hugh’s Galliard |
Herbert Howells (1892–1983) |
| Veuve Cliquot from Sonata #2 |
James Woodman (b. 1957) |
| The Artist |

| Frances Conover Fitch directs the music
program at the Unitarian Universalist Church of Lynn/Greater Lynn in
Swampscott, Massaachusetts. As harpsichordist and organist, she has toured
extensively in North America and Europe, and has recorded for the national
radio services of Switzerland, Germany, the Netherlands and France, as well
as for the BBC and NPR. Her ensemble, Concerto Castello, won critical
acclaim as well as an Honorable Mention in the Deutsche Schallplatten Preis
of 1983. Sought out as a particularly sensitive and inventive continuo
player, she has worked with such ensembles as Spiritus Collective, Cantata
Singers, Emmanuel Music, Aston Magna, Boston Cecelia Society, The Handel and
Haydn Society, Concerto Palatino, the Boston Camerata and the
Harvard–Radcliffe Collegium Musicum. Ms. Fitch has presented solo recitals at the Smithsonian Institution, the American Church in Paris and the Museum of Fine Arts in Boston, and has participated in major music festivals, including the Festival d’Art Lyrique/Aix-en-Provence, Pepsico SummerFare, Tanglewood Music Center, Boston Early Music Festival, Tage Alter Musik Regensburg, Castle Hill Festival and the Festival de Musica Antigua in Mexico City, where she also gave master classes at the National Conservatory. She has recorded on the EMI-Reflexe, Titanic, Harmonia Mundi, Koch International and Wild Boar labels, including her solo CD, O Ye Tender Babes: English Virginal Music (Wild Boar) and a recent two–CD release entitled Protégée of the Sun King (Centaur), that features the music of Elisabeth-Claude Jacquet de la Guerre. Formerly on the faculties of Schola Cantorum Basiliensis and Wellesley College, she now teaches at Tufts University, Medford, Mass., and Longy School of Music, Cambridge, where she is Chair of the Early Music Department and instructor in harpsichord, organ, chamber music, figured bass improvisation and bibliographic research. Ms. Fitch has degrees from Bard College and New England Conservatory, and did post-graduate work at the Sweelinck Conservatorium in Amserdam, where she studied with Gustav Leonhardt and Veronika Hampe. Her playing has been praised as “delightful”, “perceptive”, “alluring”, “spirited”, “stylish” and “spectacular”, and noted for its “precision and delicacy of wit”. |
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The concert is free and open to the public. Ample parking is available behind the church, and the sanctuary is wheelchair–accessible. A reception for the artists will follow the concert. For more information, please call (434)963-4690 or visit www.avenue.org/organconcerts. To receive e–mail notices from this Series, click here: |
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